Set your preferred locations for a better search. You can sign up here.

Classical concerts featuring
David Minseok Kang

Overview

Quick overview of musician David Minseok Kang by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
27

ProgramFrequently performs

Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
7
Piotr Tchaikovsky
Works by
Piotr Tchaikovsky
5
Giacomo Puccini
Works by
Giacomo Puccini
4
Giuseppe Verdi
Works by
Giuseppe Verdi
4
Richard Strauss
Works by
Richard Strauss
4
Olivier Messiaen
Works by
Olivier Messiaen
3

MusiciansFrequently collaborate with

orchestra
Philharmonisches Staatsorchester Hamburg
27
choir
Chor der Hamburgischen Staatsoper
20
Musician
Mziwamadoda Sipho Nodlayiya
18
Musician
Aaron Godfrey-Mayes
15
Musician
Aebh Kelly
12

New Arrivals

These concerts featuring David Minseok Kang became visible lately at ConcertPulse.

Nothing found for now.

Upcoming Concerts

Concerts featuring David Minseok Kang in season 2024/25 or later

March 15, 2025
Artistic depiction of the event

Rigoletto

Sat, Mar 15, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Aebh Kelly (La Contessa di Ceprano), David Minseok Kang (Marullo), Aaron Godfrey-Mayes (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Aebh Kelly (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
March 18, 2025
Artistic depiction of the event

Rigoletto

Tue, Mar 18, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Aebh Kelly (La Contessa di Ceprano), David Minseok Kang (Marullo), Aaron Godfrey-Mayes (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Aebh Kelly (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
March 20, 2025
Artistic depiction of the event

Rigoletto

Thu, Mar 20, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Aebh Kelly (La Contessa di Ceprano), David Minseok Kang (Marullo), Aaron Godfrey-Mayes (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Aebh Kelly (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
March 21, 2025
Artistic depiction of the event

La Fanciulla del West (The Girl of the West)

Fri, Mar 21, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), N. N. (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), N. N. (José Castro), N. N. (Postillon), N. N. (Eine Stimme), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
March 23, 2025
Artistic depiction of the event

Rigoletto

Sun, Mar 23, 2025, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Aebh Kelly (La Contessa di Ceprano), David Minseok Kang (Marullo), Aaron Godfrey-Mayes (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Aebh Kelly (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
March 26, 2025
Artistic depiction of the event

La Fanciulla del West (The Girl of the West)

Wed, Mar 26, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), N. N. (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), N. N. (José Castro), N. N. (Postillon), N. N. (Eine Stimme), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
March 29, 2025
Artistic depiction of the event

La Fanciulla del West (The Girl of the West)

Sat, Mar 29, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), N. N. (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), N. N. (José Castro), N. N. (Postillon), N. N. (Eine Stimme), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
April 4, 2025
Artistic depiction of the event

La Fanciulla del West (The Girl of the West)

Fri, Apr 4, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), N. N. (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), N. N. (José Castro), N. N. (Postillon), N. N. (Eine Stimme), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
April 29, 2025
Artistic depiction of the event

Pique Dame

Tue, Apr 29, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Graeme Jenkins (Musical Director), Christian Günther (Chorus), Najmiddin Mavlyanov (Herman), Pavel Yankovsky (Graf Tomsky), Alexey Bogdanchikov (Fürst Jeletzky), N. N. (Czekalinsky), David Minseok Kang (Ssurin), N. N. (Tschaplitzky), N. N. (Narumoff), Elena Zaremba (Gräfin), Elena Guseva (Lisa), Kai Rüütel-Pajula (Pauline), N. N. (Mascha), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
The outsider Herman loves Liza, who is engaged to Prince Yeletsky. Herman is a passionate gambler: he is desperate to win a fortune and reputation in order to win Liza’s heart. When he learns that her grandmother knows the secret of the three winning cards, fate takes its course. Director: Willy Decker Set and Costume Designer: Wolfgang Gussmann Lighting Designer: Hans Toelstede Premiere: 25.05.2003
Info & Ticket (www.staatsorchester-hamburg.de)
May 3, 2025
Artistic depiction of the event

Pique Dame

Sat, May 3, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Graeme Jenkins (Musical Director), Christian Günther (Chorus), Najmiddin Mavlyanov (Herman), Pavel Yankovsky (Graf Tomsky), Alexey Bogdanchikov (Fürst Jeletzky), N. N. (Czekalinsky), David Minseok Kang (Ssurin), N. N. (Tschaplitzky), N. N. (Narumoff), Elena Zaremba (Gräfin), Elena Guseva (Lisa), Kai Rüütel-Pajula (Pauline), N. N. (Mascha), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
The outsider Herman loves Liza, who is engaged to Prince Yeletsky. Herman is a passionate gambler: he is desperate to win a fortune and reputation in order to win Liza’s heart. When he learns that her grandmother knows the secret of the three winning cards, fate takes its course. Director: Willy Decker Set and Costume Designer: Wolfgang Gussmann Lighting Designer: Hans Toelstede Premiere: 25.05.2003
Info & Ticket (www.staatsorchester-hamburg.de)
May 8, 2025
Artistic depiction of the event

Pique Dame

Thu, May 8, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Graeme Jenkins (Musical Director), Christian Günther (Chorus), Najmiddin Mavlyanov (Herman), Pavel Yankovsky (Graf Tomsky), Alexey Bogdanchikov (Fürst Jeletzky), N. N. (Czekalinsky), David Minseok Kang (Ssurin), N. N. (Tschaplitzky), N. N. (Narumoff), Elena Zaremba (Gräfin), Elena Guseva (Lisa), Kai Rüütel-Pajula (Pauline), N. N. (Mascha), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
The outsider Herman loves Liza, who is engaged to Prince Yeletsky. Herman is a passionate gambler: he is desperate to win a fortune and reputation in order to win Liza’s heart. When he learns that her grandmother knows the secret of the three winning cards, fate takes its course. Director: Willy Decker Set and Costume Designer: Wolfgang Gussmann Lighting Designer: Hans Toelstede Premiere: 25.05.2003
Info & Ticket (www.staatsorchester-hamburg.de)
May 10, 2025
Artistic depiction of the event

Pique Dame

Sat, May 10, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Graeme Jenkins (Musical Director), Christian Günther (Chorus), Najmiddin Mavlyanov (Herman), Pavel Yankovsky (Graf Tomsky), Alexey Bogdanchikov (Fürst Jeletzky), N. N. (Czekalinsky), David Minseok Kang (Ssurin), N. N. (Tschaplitzky), N. N. (Narumoff), Elena Zaremba (Gräfin), Elena Guseva (Lisa), Kai Rüütel-Pajula (Pauline), N. N. (Mascha), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
The outsider Herman loves Liza, who is engaged to Prince Yeletsky. Herman is a passionate gambler: he is desperate to win a fortune and reputation in order to win Liza’s heart. When he learns that her grandmother knows the secret of the three winning cards, fate takes its course. Director: Willy Decker Set and Costume Designer: Wolfgang Gussmann Lighting Designer: Hans Toelstede Premiere: 25.05.2003
Info & Ticket (www.staatsorchester-hamburg.de)
May 13, 2025
Artistic depiction of the event

Pique Dame

Tue, May 13, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Graeme Jenkins (Musical Director), Christian Günther (Chorus), Najmiddin Mavlyanov (Herman), Pavel Yankovsky (Graf Tomsky), Alexey Bogdanchikov (Fürst Jeletzky), N. N. (Czekalinsky), David Minseok Kang (Ssurin), N. N. (Tschaplitzky), N. N. (Narumoff), Elena Zaremba (Gräfin), Elena Guseva (Lisa), Kai Rüütel-Pajula (Pauline), N. N. (Mascha), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
The outsider Herman loves Liza, who is engaged to Prince Yeletsky. Herman is a passionate gambler: he is desperate to win a fortune and reputation in order to win Liza’s heart. When he learns that her grandmother knows the secret of the three winning cards, fate takes its course. Director: Willy Decker Set and Costume Designer: Wolfgang Gussmann Lighting Designer: Hans Toelstede Premiere: 25.05.2003
Info & Ticket (www.staatsorchester-hamburg.de)
June 7, 2025
Artistic depiction of the event

Salome

Sat, Jun 7, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Soddy (Musical Director), Peter Hoare (Herodes), Claudia Mahnke (Herodias), Vida Miknevičiūtė (Salome), Christopher Maltman (Jochanaan), Clare Presland (Page), Florian Panzieri (Narraboth), N. N. (1. Jude), Jürgen Sacher (2. Jude), Daniel Kluge (3. Jude), Aaron Godfrey-Mayes (4. Jude), Hubert Kowalczyk (5. Jude), Liam James Karai (1. Nazarener), Nicholas Mogg (2. Nazarener), David Minseok Kang (1. Soldat), Karl Huml (2. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
June 12, 2025
Artistic depiction of the event

Salome

Thu, Jun 12, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Soddy (Musical Director), Peter Hoare (Herodes), Claudia Mahnke (Herodias), Vida Miknevičiūtė (Salome), Christopher Maltman (Jochanaan), Clare Presland (Page), Florian Panzieri (Narraboth), N. N. (1. Jude), Jürgen Sacher (2. Jude), Daniel Kluge (3. Jude), Aaron Godfrey-Mayes (4. Jude), Hubert Kowalczyk (5. Jude), Liam James Karai (1. Nazarener), Nicholas Mogg (2. Nazarener), David Minseok Kang (1. Soldat), Karl Huml (2. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
June 14, 2025
Artistic depiction of the event

Salome

Sat, Jun 14, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Soddy (Musical Director), Peter Hoare (Herodes), Claudia Mahnke (Herodias), Vida Miknevičiūtė (Salome), Christopher Maltman (Jochanaan), Clare Presland (Page), Florian Panzieri (Narraboth), N. N. (1. Jude), Jürgen Sacher (2. Jude), Daniel Kluge (3. Jude), Aaron Godfrey-Mayes (4. Jude), Hubert Kowalczyk (5. Jude), Liam James Karai (1. Nazarener), Nicholas Mogg (2. Nazarener), David Minseok Kang (1. Soldat), Karl Huml (2. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
June 18, 2025
Artistic depiction of the event

Salome

Wed, Jun 18, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Soddy (Musical Director), Peter Hoare (Herodes), Claudia Mahnke (Herodias), Vida Miknevičiūtė (Salome), Christopher Maltman (Jochanaan), Clare Presland (Page), Florian Panzieri (Narraboth), N. N. (1. Jude), Jürgen Sacher (2. Jude), Daniel Kluge (3. Jude), Aaron Godfrey-Mayes (4. Jude), Hubert Kowalczyk (5. Jude), Liam James Karai (1. Nazarener), Nicholas Mogg (2. Nazarener), David Minseok Kang (1. Soldat), Karl Huml (2. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)